SEOUL: The Seoul government has released rare video footage of Korean women forced to work in Japanese military brothels during World War Two, the first time moving images have been shown of the "comfort women".
A government-funded research team from Seoul National University found the footage, which was filmed in 1944 by an American soldier, in the United States National Archives after a two-year hunt.
"South Korea has not had its own data on comfort women and (has) been relying on Japanese and American data," said Kang Sung-hyun, an academic on the team.
"It is crucial for South Korea to have our own data for the issue of comfort women," he said.
The 18-second black-and-white clip shows seven women lined up outside a brick house, being questioned by Chinese soldiers. The women were found by U.S.-China allied forces in China's Yunnan province, the research team said in a statement.
The women were registered by U.S. soldiers, the research team said. Two of the women in the video had already appeared in previously released photos of "comfort women".
The term is used to describe girls and women from South Korea, China, the Philippines and elsewhere, who were forced into prostitution in Japanese wartime military brothels.
South Korean activists estimate that there may have been as many as 200,000 Korean victims.
Japan and South Korea agreed to resolve the issue "finally and irreversibly" in 2015 if all conditions were met. Japan made an apology and promised one billion yen ($8.84 million) for a fund to help victims.
However, the issue continues to strain relations between the two countries.
Japan wants South Korea to remove a statue near the Japanese consulate in Busan city commemorating Korean comfort women, as well as another near the Japanese embassy in Seoul, saying that the presence of the statues violates the 2015 agreement.
South Korean President Moon Jae-in suggested during his campaign for a May 9 election that most South Koreans did not accept the 2015 deal negotiated by his conservative predecessor Park Geun-hye and Japanese PM Shinzo Abe, and that he could try to renegotiate it.
Since the election, he has not directly addressed whether he will seek to renegotiate the pact. The issue is likely to be discussed when he meets Abe on Friday on the sidelines of the Group of 20 summit in Hamburg, Germany. ($1 = 113.1500 yen)
Rare footage shows Korean "comfort women" from World War Two
Rare footage shows Korean "comfort women" from World War Two
French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’
DUBAI: French Algerian actress Sofia Boutella started the new year on a high note with the premiere of season two of the BBC series “SAS Rogue Heroes.”
“Happy New … SAS season 2 is out … and Happy New Year,” she wrote on Instagram this week, sharing on-set pictures of herself and her co-stars from the military drama, which chronicles the exploits of the British Army’s special forces unit.
Series two, created by Steven Knight (“Peaky Blinders”), picks up with British troops in the spring of 1943 during World War II.
Returning for the sequel are actors Jack O’Connell, Connor Swindells, Dominic West and Sofia Boutella, who reprises her role as French intelligence agent Eve Mansour.
Commissioned by the BBC, the show is based on Ben Macintyre’s best-selling book of the same name, with season two having been directed by Stephen Woolfenden.
Boutella most recently starred “The Killer’s Game,” which hit cinemas in September, and Netflix’s “Rebel Moon — Part 2: The Scargiver.”
In the sci-fi adventure — a sequel to last year’s “Rebel Moon — Part One: A Child of Fire” — a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force.
Kora, played by Boutella, has assembled a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds.
Boutella drew on her history as an immigrant. She grew up in Algeria during its civil war and later moved to France and found herself navigating the complexities of adapting to a different culture.
“Having left Algeria young, when I go back there I don’t feel like I belong to Algeria. And then, in France, I don’t feel like I belong to France because I didn’t grow up there,” she told Arab News in a previous interview.
Boutella has learned to embrace her rootlessness, though. “I feel like I belong to this planet. I have the freedom to travel wherever I want, without any limitation,” she said. “But sometimes, I miss the proximity and attachment that people have to their country.”
Kora was not Algiers-born Boutella’s first role as a sword-wielding extraterrestrial. The actress, who at the age of 10 fled to Paris with her family during the Algerian civil war, is known for her breakout performance in the Oscar-nominated film, “Star Trek Beyond,” in which she portrayed the fierce alien warrior, Jaylah.
What We Are Reading Today: South Sudan: The Untold Story
Author: Hilde F. Johnson
South Sudan was granted independence and became the world’s newest country. Yet just two-and-a-half years after this momentous decision, the country was in the grips of renewed civil war and political strife.
In this book, Hilde F. Johnson provides an unparalleled insider’s account of South Sudan’s descent from the ecstatic celebrations of July 2011 to the outbreak of the disastrous conflict in December 2013 and the early, bloody phase of the fighting.
Johnson’s personal and private contacts at the highest levels of government, accompanied by her deep knowledge of the country and its history, make this a unique eyewitness account of the turbulent first three years of the world’s newest – and yet most fragile – country.
REVIEW: ‘Squid Game’ enters a holding pattern
- Second season of the hit Netflix show feels tentative, ahead of its upcoming finale
LONDON: The success of “Squid Game” in 2021 made a second season an inevitability, rather than a mere possibility proffered by a hopeful epilogue scene. But because this smash-hit show came out of South Korea, there was also an optimistic air to its steadily approaching release — could this addictively bleak dystopian thriller sidestep a lot of the Hollywood pitfalls and deliver a second season that was at least the equal of the first?
Although it’s a sidestep of its own, the answer is… we’re not sure yet. And that’s because, although it’s billed as season two, these seven new episodes were shot back-to-back with season three (coming in 2025 and confirmed to be the last). So what you’re essentially getting here is the setup for the big finale still to come. That perhaps explains why, though the first season dropped viewers into the murderous titular competition pretty quickly, the actual ‘game’ of the second season of “Squid Game” doesn’t start until midway through the third episode. Before that, we’re reintroduced to main protagonist Seong Gi-hun (Lee Jung-Jae, still far and away the best thing about the show). Having won the first season’s brutal series of children’s games (for which the losers’ penalty is death), Gi-hun is spending his reward money trying to bring down the organizers of the competition, teaming up with season one detective Hwang Jun-ho (Wi Ha-joon) in an attempt to topple the shady cartel that is pressganging cash-strapped Koreans into murdering each other for money. When his plan to catch the game’s Front Man fails, he instead joins the latest intake, intent on helping the contestants escape with their lives.
It’s an odd choice to spend so long building up to the competition — and even dallying on whether it can be proved it even exists — when that’s what viewers are here for. Once the games get going, “Squid Game” is as breathless and shocking as ever, and with a new cast of characters, there are fresh backstories to mine and some pretty pointed social commentary on greed, capitalism and social care (Korean commentators have suggested that the subtitles miss a few of the nuances of the script, which may be why some of the satire seems a little on the nose). Perhaps acknowledging what audiences will remember, there’s also a few decent twists that deserve to remain a surprise.
But while season two of “Squid Game” is still great television, there’s no small amount of bloat here — and a sense of treading water for the final round still to come.
Incoming: The hottest TV shows set to air in 2025
- From long-awaited returns to emotional send-offs, via some intriguing new material, here are the series we can’t wait to see this year
‘Severance’ season 2
Starring: Adam Scott, Zach Cherry, Britt Lower
The first season of this darkly humorous sci-fi tinged psychological thriller brought deserved critical acclaim for its creator Dan Erickson, and directors Ben Stiller and Aoife McArdle, as well as its brilliant cast. The show focuses on a group of employees at a mysterious corporation who have agreed to undergo a procedure known as “severance,” which divides their memories between their time in and out of work, thus creating two different lives, with distinct personalities, but who begin to question both the ethics of the procedure, and their own reasons for accepting it.
‘The Last of Us’ season 2
Starring: Bella Ramsey, Pedro Pascal, Gabriel Luna
Not just a great video game adaptation, but a great show in general. This post-apocalyptic drama is set a couple of decades into a pandemic in which a fungal infection turns its hosts into zombie-like monsters and centers on a teenage girl (Ellie) who is somehow immune to infection and the smuggler (Joel) who agreed to escort her on a journey across the US and gradually becomes a father figure to her. The chemistry between Ramsey as Ellie and Pascal as Joel is utterly convincing and the series, like the games it is based on, is a quietly devastating work of art.
‘Stranger Things’ season 5
Starring: Winona Ryder, David Harbour, Millie Bobby Brown
One last visit to the Upside Down, and one last visit to Hawkins, Indiana, to catch up with psychokinetic Eleven and her friends as they fight to save the Earth from the aforementioned alternate dimension. Over the last decade, “Stranger Things” has been one of the biggest shows in the world — an irresistible mix of horror, sci-fi, coming-of-age drama, and Eighties nostalgia. Here’s hoping showrunners The Duffer Brothers can stick the landing.
‘The Bear’ season 4
Starring: Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri
After the dizzying heights reached in its first two seasons, the third outing of this hyper-tense kitchen-based drama (it barely seems worth repeating that — despite its Emmy categorization — “The Bear” really isn’t a comedy) was something of a stagnant disappointment. But a disappointing episode of “The Bear” still beats the best efforts of 90 percent of what’s on television, and it wouldn’t be a great surprise if season four is a triumphant return to form for ace chef Carmy Berzatto as he strives to make a success of his family’s titular restaurant. There’s a lot on the line, though, with season three ending just as Carmy starts to read the make-or-break restaurant review that could mean he loses his financial backer.
‘Zero Day’
Starring: Robert De Niro, Lizzy Caplan, Jesse Plemons
A political conspiracy thriller that looks like being one of the most intriguing new shows of 2025. With a stellar cast and some serious pedigree among the creators — showrunner Eric Newman (“Narcos”), former NBC News president Noah Oppenheim, and The New York Times’ Washington correspondent Michael S. Schmidt — this story focuses on a former US president, George Mullen (De Niro), who is called out of retirement to investigate a cyberattack responsible for killing thousands of Americans.
‘A Knight of the Seven Kingdoms’
Starring: Peter Claffey, Dexter Sol Ansell, Finn Bennett
If “House of the Dragon” isn’t enough “Game of Thrones” universe for you, then here’s another prequel, this time based on George R.R. Martin’s “Tales of Dunk and Egg” novellas — set almost a century before the events of “Game of Thrones. The show will focus on hedge knight Ser Duncan the Tall (Dunk) and his young squire Aegon Targaryen (Egg), who will grow up to become King Aegon V and sit the Iron Throne, and their wanderings across Westeros. Martin has given the show his seal of approval, saying after visiting the set that the cast seemed to have “walked out of the pages of my book.” The approval of the fans may be harder to earn.
‘Black Mirror’ season 7
Starring: Awkwafina, Paul Giamatti, Emma Corrin
Season seven of the acclaimed sci-fi/horror anthology series created by Charlie Brooker is confirmed as returning this year with a run of six episodes, two of which, Brooker told the audience at Netflix’s Geeked Week event in September, are “basically feature-length.” There’s little information about the stories so far, but the little we have is pretty exciting — one will be a sequel to one of the show’s most-loved episodes, the season four opener “USS Callister” (pictured).
REVIEW: ‘Beast Games’ — the biggest prize in TV history, and a telling snapshot of our times
DUBAI: It’s a high bar, but “Beast Games” might be the most cynical TV show ever produced. Amazon — owned by Jeff Bezos; estimated net worth $251 billion — throws a reported $100 million at 26-year-old social-media behemoth Jimmy Donaldson (aka MrBeast; estimated net worth $500 million) so he can make a reality competition show that borrows heavily from a hugely successful fictional South Korean show and gives the “largest ever cast” (1,000 participants) the opportunity to win $5 million (the “largest ever single prize”) and a host of other ‘smaller’ (i.e. still huge) prizes along the way.
Why? Probably not because the studio execs — or Bezos himself — are huge MrBeast fans. But think of all the data to be mined when the latter’s 340 million YouTube subscribers sign up to Amazon Prime — that’s the kind of payoff that makes it worthwhile (and $100 million for Amazon is kind of like a regular person’s $5).
And what do the audience get in return for surrendering their personal info to the rapacious advertiser and retailer? Basically “Squid Game” without any deaths, but with much of that show’s energy and aesthetics. Donaldson and his crew of long-time friends/assistants have built careers out of giving away huge amounts of money to people for completing challenges (or snatching it from them if they fail), and now they’re doing it with higher production values.
The tasks (at least in the first three episodes) are straightforward, childish even (catch a ball; throw a ball into a receptacle…), but the mind games are intense — often, competitors must sacrifice themselves so others can continue. Those that choose to do so look absolutely bereft. If you’re wondering whether anyone involved in “Beast Games” picked up on the fact that “Squid Game” was intended to satirize the spiritual vacuum of late-stage capitalism via the portrayal of the gleeful exploitation of desperate, cash-strapped people for entertainment, we’re guessing the answer’s no.
Still, as a TV show, “Beast Games” is compelling in its way — think “Ultimate Fail” videos crossed with “The Traitors.” It’s slickly packaged and fast-moving (within the first half-hour, half of the contestants are culled), like MrBeast’s YouTube content. The psychology is fascinating — the weird notion so many of the contestants have that they’re “destined” to win a game of mostly chance and not much skill, or that, somehow, “needing” it enough will see them through; or the way that, within a matter of hours, herd mentality and peer pressure make people forget that they’re competing to try and secure life-changing money for their loved ones rather than impress a group of almost-strangers to whom they owe nothing.
“Beast Games” keeps you engaged, then, but it doesn’t keep you invested. That’s partly because Donaldson and co., who come across as affable and a bit goofy online, haven’t made the jump to “traditional” media comfortably. Particularly Donaldson, who, as a gameshow host, lacks warmth and charisma and spends much of his time shouting dystopian catchphrases (“Everyone has a price!” or, gazing down on the contestants from the wall of Beast City, “They look like ants!”).
It will be an enormous success.
