Wafaa El-Saddik was the first female director of the Egyptian Museum in Cairo and held the post from 2004 until the end of 2010. During her final year at the museum, a popular uprising in Tunis caught the world by surprise, but El-Saddik had a premonition that similar events would also take place in Egypt. “We knew that the social gap could not continue to widen forever. It was only a question of time before something had to happen,” she writes in her book, “Protecting Pharaoh’s Treasures.”
In January of 2011, Egyptians from all walks of life expressed their long-oppressed feelings of anger. The first cracks in 30 years of dictatorship began to appear. It was a movement that prompted El-Saddik to write the book.
“The people who have worked toward a different Egypt for so long — decent, hardworking people of integrity — finally have to be given a chance. There have been, and still are, such people in Egypt, even among us Egyptologists in the antiquities service. They have distinct notions about a different Egypt. It was high time to open the drawer and lay on the table all the things that had had to wait too long.”
Her last meeting with former strongman Hosni Mubarak in October 2010 in Rome reveals what went on behind the scenes. Only five weeks before the Egyptian president’s state visit to Italy, El-Saddik was summoned to select ancient Egyptian artifacts for the exhibition in Rome. Deemed not spectacular enough, her selection was not approved. Zahi Hawass, who was chief of the antiquities office at the time, was now in charge of putting together a selection but he announced that a conflict of interest prevented him from attending the event. El-Saddik had to go to Rome after all and she was left to deal with a number of problems. The on-loan items were not insured, there was no exhibition catalogue and her co-workers had no visas. However, she remained positive, saying: “In my years as director of the Egyptian Museum I had learned one thing: If it has anything to do with the president, everything possible will be done, money is no object.”
After having worked “like dogs” to prepare the exhibition, El-Saddik was briefed that the visit should not take more than 15 minutes. Mubarak was tired and had problems standing up and Silvio Berlusconi was visibly not interested in the exhibition. When El-Saddik tried to draw their attention to the Egyptian Book of the Dead, she told both Berlusconi and Mubarak that “all those who have flouted the laws and offended those nearest to them are gobbled up by the devourer.” At that moment, she wrote, Mubarak smiled and photographs were taken. Who would have guessed then that by February, Mubarak would step down as president of Egypt?
The making of an archaeologist
When El-Saddik began university, she wanted to be a journalist. During a break, she went on an excursion to Luxor and Aswan organized by the faculty of archaeology. That trip changed her life as she decided to major in archaeology and was no longer interested in a journalistic career.
She quickly earned a reputation as somebody who stood up to figures of authority.
When President Anwar Sadat ordered that the upper part of the Khafre Pyramid be cleaned so it would become the same color as the pyramid’s lower part, she refused to follow the order. The chief inspector of the Giza precinct admonished her, saying: “Why haven’t you finished the job? How can you dare oppose a directive from the president?”
El-Saddik answered firmly: “How can you dare to order such nonsense?”
The inspector threatened to dismiss her so she filed a report explaining that the stones used for the construction of the lower and the upper part of the pyramid were from different quarries. The stones in the oldest part of the Khafre Pyramid came from the pyramid plateau, whereas the remaining stones were taken from the Tura limestone quarries. This clearly explains why the stones have different natural colors.
A few days later, the cleaning project was called off and this incident did not impact her career negatively. On the contrary, in 1976, El-Saddik became the first Egyptian woman to direct an excavation.
When El-Saddik was eventually appointed as the director of the Egyptian Museum in 2004, she wasted no time in doing an inventory of the objects piled up in the vast cellar of museum, which covers an area nearly the size of two football fields.
“The Egyptian Museum’s cellar is the stuff of legend…. For nearly 100 years it served as the central storeroom for all the artifacts awarded to Egypt in the division of finds,” she wrote.
To this day, Tutankhamen’s treasure remains Egypt’s most famous exhibition. After its worldwide tour between 1972 and 1982, a sculpture from the tomb’s treasure was damaged and the government issued a travel ban on the relics. That ban was lifted when Mubarak needed $500 million for his Grand Museum. El-Saddik curated the exhibition “Tutankhamen, the Golden Beyond” which toured the world and brought in around $100 million.
“Protecting Pharaoh’s Treasures” is a journey through El-Saddik’s life in Egyptology. As she looks back at the history of her country, we discover an amazing woman. She is truly in a league of her own.
Book Review: Dive into Egypt’s glorious past
Book Review: Dive into Egypt’s glorious past
What We Are Reading Today: ‘Planetary Climates’ by Andrew Ingersoll
This concise, sophisticated introduction to planetary climates explains the global physical and chemical processes that determine climate on any planet or major planetary satellite— from Mercury to Neptune and even large moons such as Saturn’s Titan.
Although the climates of other worlds are extremely diverse, the chemical and physical processes that shape their dynamics are the same.
As this book makes clear, the better we can understand how various planetary climates formed and evolved, the better we can understand Earth’s climate history and future.
What We Are Reading Today: ‘Dragonflies of North America’
- “Dragonflies of North America” is the ultimate guide to these extraordinary insects
Author: ED LAM
Dragonflies are large and beautiful insects, diverse in color and pattern. This premier field guide provides all the information you need to identify every male and female dragonfly found in North America, whether in the field, in the hand, or under the microscope.
The extensive illustrations are the heart of the book. Close-up color portraits of each species, often several times life size, show the best possible specimens for close examination.
“Dragonflies of North America” is the ultimate guide to these extraordinary insects.
What We Are Reading Today: The Wind-Up Bird Chronicle
- Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal
Japanese novelist Haruki Murakami’s “The Wind-Up Bird Chronicle” is an intricate, mesmerizing novel that weaves together the ordinary and the surreal, creating a tapestry of existential questions, hidden truths and unexpected journeys.
First published in 1994, the novel is often regarded as one of Murakami’s masterpieces, encapsulating his signature blend of magical realism, psychological depth, and cultural introspection.
At its heart is Toru Okada, an unassuming and somewhat disaffected man whose mundane life takes a sudden and dramatic turn when his wife, Kumiko, disappears. What begins as a straightforward search evolves into a labyrinthine journey, leading Toru to confront not only the mystery of Kumiko’s absence but also the darker forces of history, memory, and his own psyche.
Along the way, he encounters an eclectic cast of characters, each with their own enigmatic role to play in the unfolding story.
Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal. The novel’s structure mirrors this duality, as Toru navigates his increasingly strange reality while descending into dreamlike underworlds, mysterious wells, and symbolic landscapes.
These moments are imbued with Murakami’s distinctive sense of unease, where the boundaries of the tangible and intangible blur, leaving the reader questioning the nature of reality itself.
One of the novel’s great strengths is its ability to juxtapose the deeply personal with the historically and culturally significant.
While Toru’s story is intimate and introspective, it is interwoven with threads of Japanese history, particularly the atrocities of the Second World War. These historical narratives, told through the recollections of various characters, deepen the novel’s scope, turning it into a meditation on the lingering wounds of the past and their impact on the present.
“The Wind-Up Bird Chronicle” also delves into themes of connection and alienation, power and vulnerability, and the search for meaning in a world that often feels inexplicable. Toru’s journey is not just a physical quest but a spiritual and emotional odyssey, forcing him to confront the unseen forces that shape his life and the lives of those around him.
Murakami’s use of symbolism and recurring motifs — cats, wells, and the titular wind-up bird — adds layers of mystery and interpretive richness to the novel. These elements, coupled with the novel’s nonlinear structure and surreal interludes, create a reading experience that is both immersive and disorienting, drawing readers into a world that is as unsettling as it is beautiful.
For longtime fans of Murakami, “The Wind-Up Bird Chronicle” is quintessential, showcasing the author’s ability to blend the banal with the extraordinary. For new readers, it offers an expansive introduction to his universe, though its complexity may require patience and reflection.
Ultimately, “The Wind-Up Bird Chronicle” is a profound exploration of the human condition — its mysteries, its contradictions, and its quiet beauty. It is a novel that refuses to offer easy answers, instead inviting readers to embrace its ambiguities and immerse themselves in its layered, dreamlike world. Murakami has crafted a story that is as haunting as it is enlightening, leaving an indelible mark on those who dare to journey into its depths.
What We Are Reading Today: ‘Galápagos’
Authors: John Kricher and Kevin Loughlin
Galápagos is a comprehensive, up-to-date, and profusely illustrated natural history of this spectacular archipelago.
Offering much more information than identification guides, the book provides detailed accounts and more than 650 color photographs of the islands’ habitats, marine life, reptiles, birds, mammals, and plants, making the book a virtual nature tour of Galápagos.
Galápagos experts John Kricher and Kevin Loughlin have thoroughly revised the original text, bringing all the taxonomy up to date and adding a wealth of new information.
What We Are Reading Today: ‘A Well-Ordered Thing’ by Michael D. Gordon
Dmitrii Mendeleev (1834–1907) is a name we recognize, but perhaps only as the creator of the periodic table of elements.
Generally, little else has been known about him. “A Well-Ordered Thing” is an authoritative biography of Mendeleev that draws a multifaceted portrait of his life for the first time.
As Michael Gordin reveals, Mendeleev was not only a luminary in the history of science, he was also an astonishingly wide-ranging political and cultural figure.
