Book Review: How Broadway took Hollywood by storm

From ‘Singin’ in the Rain’ to ‘The Sound of Music,’ find out how some of Hollywood’s most iconic films were made.
Updated 21 November 2017
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Book Review: How Broadway took Hollywood by storm

It takes an expert to measure Broadway’s influence on Hollywood and vice versa, but American author Ethan Mordden has the knowledge and inimitable wit to do so. In “When Broadway Went to Hollywood,” Mordden takes us behind the scenes of the great Hollywood musicals we have loved for years and discusses the impact of Broadway musicals on the movie industry.
Broadway is the theatrical district in New York City that is well-known for being the American capital of musical theater and in this book, readers gain insight into how the influx of immigrants shaped this thriving creative hub.
During the 19th century, German and Scandinavian immigrants who entered the US moved to the Midwest where a large portion became farmers. The Irish, Italian and Jewish newcomers preferred to settle in the cities of the Northeast and many moved into the entertainment business, according to the book. In the 1920s, black talent also joined in to create a multi-cultural melting pot.
It was “The Jazz Singer” that started it all. Made in 1927, it was the first movie to feature sound sequences. Originally, the lead role was given to actor George Jessel. But Jessel is said to have made demands and Warner Brothers replaced him with Al Jolson. Al Jolson could sing and had an “electrifying” presence on stage, he had the power and the talent to let “the vocals leap off the screen, take the audience into the future,” writes Mordden. Jonson sang the song “Blue Skies” and it was an immediate hit with audiences.
“This is the song that invented the Hollywood musical as the centerpiece of The Jazz Singer’s most effective sound sequence,” explains Mordden. Written by Irving Berlin, whose first songs date back to 1907, “Blue Skies” and its emotionally-charged scene was the highlight of the film. “Like him or not, he has the energy that set the Hollywood musical on the way to the rest of its life.”
Irving Berlin soon discovered that Hollywood could not offer creative freedom due to the constant interference of studio chiefs and producers. However, Berlin got lured back to Hollywood to work on “Top Hat,” which only features five of his songs.
George Gershwin and his brother Ira were also part of a limited number of Broadway professional songwriters working for Hollywood. Gershwin’s fate was sealed during a concert entitled “An Experiment in Modern Music.” Heavyweights in Manhattan attended this unique event to hear Gershwin’s latest opus, “A Rhapsody in Blue.” It was a triumph and it got Gershwin on the cover of Time magazine. As expected, he was soon in high demand in Hollywood.
Cole Porter is another famous songwriter, but unlike other Broadway talents, he loved Hollywood. During an interview with American journalist Dorothy Kilgallen, he said: “When I first came here they told me, ‘You’ll be so bored you’ll die, nobody talks about anything but pictures.’ After I was here a week, I discovered I didn’t want to talk about anything else myself.”
Porter’s collaboration with Metro-Goldwyn-Mayer (MGM) worked out well thanks to the company’s decision to pair him with composer-arrangers Herbert Stothart and Roger Edens. “Their imagination in putting a number together with full awareness of how the music affects the optics was elemental in the dominance of the MGM musical,” writes Mordden.
From 1940 to 1949, another golden age began due to MGM’s musicals such as “Meet me in St. Louis” and “The Pirate.” From 1950 to 1959, Broadway adaptations become more popular than ever, but the breakup of the studio system with its music departments meant that musicals were more expensive to produce. Between 1960 and 1975, Hollywood experienced a golden era with the production of great musicals such as “West Side Story,” “My Fair Lady” and “The Sound of Music.”
From 1976 to the present, Hollywood has flooded Broadway with stage versions of original Hollywood musicals such as “Gigi,” “Singin’ in the Rain” and “Footloose.” Hollywood also produced movie versions of famous Broadway shows, such as “Annie,” which was a hit on Broadway from 1977 to 1983. This should have been an easy production until John Huston was hired to direct the movie. The choreography in Annie involved lots of non-athletic acrobatics who lacked grace and beauty and some of the show’s best numbers were dropped. “It was an expensive mistake at the cost of something like a million dollars, and one of the reasons Annie did good business and still lost money,” Mordden wrote of the expensive movie-making process and the talented stars who came on board but whose suggestions were never used.
Fast forward to today and “La La Land,” a musical specially written for the silver screen, has been a resounding success. “Musicals are back,” writes Mordden. but had they ever disappeared? Can they disappear? With the crushing pressure of world events, we all need a place to escape to.


What We Are Reading Today: ‘Dragonflies and Damselflies of the World’ by Klass-Douwe B. Dijkstra

Updated 1 min 20 sec ago
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What We Are Reading Today: ‘Dragonflies and Damselflies of the World’ by Klass-Douwe B. Dijkstra

Airily dancing over rivers and ponds, the thousands of colorful dragonfly and damselfly species that cohabit our planet may seem of little importance.

Few life-forms, however, convey the condition of the most limiting resource on land and life’s most bountiful environment as well as they can: While the adults are exceptional aerial hunters, their nymphs are all confined to freshwater.

“Dragonflies and Damselflies of the World” showcases their beauty and diversity while shedding light on how they evolved into the vital symbols of planetary health we celebrate today.


Emirates Airline Festival of Literature announces 2025 lineup

Updated 12 November 2024
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Emirates Airline Festival of Literature announces 2025 lineup

DUBAI: The Emirates Airline Festival of Literature organizers announced the lineup of award-winning authors and speakers for its 2025 edition on Tuesday.
The annual literary event, set to take place from Jan. 29 to Feb. 3 at the InterContinental Dubai Festival City, promises more than 150 events, including talks, panel discussions, and workshops, all under the theme “Where Stories Happen.”

Leading the list of authors is US-Indian writer and Stanford University professor Abraham Verghese, author of “The Covenant of Water,” which rose to fame when it was chosen for Oprah Winfrey’s book club.

Also included in the lineup are Nobel Prize laureate Abdulrazak Gurnah, Emmy Award-winning journalist Hala Gorani, Palestinian chef and hotelier Fadi Kattan, and author and illustrator of the popular “Diary of a Wimpy Kid” series Jeff Kinney.

Closer to home, Saudi author Faisal J. Abbas will talk about his new book, “Anecdotes of an Arab Anglophile,” a witty and thoughtful take on what it is like being an Arab in London.

“With everything going on in the world, now more than ever, we need stories. We need human connection. We need to come together in the ‘sanctuary of dreams’ … which the festival offers,” Tamreez Inam, head of programming, told Arab News.

“The festival welcomes people who want to dream and imagine a world that celebrates our shared humanity and offers a place where people can tell their own stories, find themselves in other stories and connect at that very human level. And I think that’s why the 2025 festival is so important; it’s needed more than ever now,” she added.

Dania Droubi, the festival’s chief operating officer, revealed that the event will also host an international youth program.

“We have 150 university students from around the world coming to participate in our program, and they are going to be here in Dubai,” she said.

“They’re all students who speak Arabic and who study Arabic. They are going to be here to meet with another 150 from the UAE-based universities, and they’re here to attend and see the authors and the speakers … and just participate in these discussions, because the youth are the future.”


What We Are Reading Today: ‘Leonardo da Vinci: An Untraceable Life’ by Stephen J. Campbell

Updated 11 November 2024
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What We Are Reading Today: ‘Leonardo da Vinci: An Untraceable Life’ by Stephen J. Campbell

Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand.

Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.


What We Are Reading Today: ‘Clouds’ by Edward Graham

Updated 10 November 2024
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What We Are Reading Today: ‘Clouds’ by Edward Graham

The mystery of clouds has captivated scientists and artists alike.

This unique book shows you how to use the meteorological techniques of nephology to identify these elusive and transmutable shapes.

“Clouds” blends a lively and engaging narrative by one of today’s leading meteorologists with an essay on historic cloud art, and includes a wealth of breathtaking cloud studies by some of the greatest artists ever to look skyward.


What We Are Reading Today: ‘Understanding the Digital World’

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Updated 09 November 2024
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What We Are Reading Today: ‘Understanding the Digital World’

  • Kernighan touches on fundamental ideas from computer science and some of the inherent limitations of computers, and new sections in the book explore Python programming, big data, and much more

Author: BRIAN W. KERNIGHAN

In this updated edition of “Understanding the Digital World,” Brian Kernighan explains how computer hardware, software, and networks work.

Topics include how computers are built and how they compute; what programming is; how the Internet and web operate; and how all of these affect security, privacy, property, and other important social, political, and economic issues.

Kernighan touches on fundamental ideas from computer science and some of the inherent limitations of computers, and new sections in the book explore Python programming, big data, and much more.