Wafaa El-Saddik was the first female director of the Egyptian Museum in Cairo and held the post from 2004 until the end of 2010. During her final year at the museum, a popular uprising in Tunis caught the world by surprise, but El-Saddik had a premonition that similar events would also take place in Egypt. “We knew that the social gap could not continue to widen forever. It was only a question of time before something had to happen,” she writes in her book, “Protecting Pharaoh’s Treasures.”
In January of 2011, Egyptians from all walks of life expressed their long-oppressed feelings of anger. The first cracks in 30 years of dictatorship began to appear. It was a movement that prompted El-Saddik to write the book.
“The people who have worked toward a different Egypt for so long — decent, hardworking people of integrity — finally have to be given a chance. There have been, and still are, such people in Egypt, even among us Egyptologists in the antiquities service. They have distinct notions about a different Egypt. It was high time to open the drawer and lay on the table all the things that had had to wait too long.”
Her last meeting with former strongman Hosni Mubarak in October 2010 in Rome reveals what went on behind the scenes. Only five weeks before the Egyptian president’s state visit to Italy, El-Saddik was summoned to select ancient Egyptian artifacts for the exhibition in Rome. Deemed not spectacular enough, her selection was not approved. Zahi Hawass, who was chief of the antiquities office at the time, was now in charge of putting together a selection but he announced that a conflict of interest prevented him from attending the event. El-Saddik had to go to Rome after all and she was left to deal with a number of problems. The on-loan items were not insured, there was no exhibition catalogue and her co-workers had no visas. However, she remained positive, saying: “In my years as director of the Egyptian Museum I had learned one thing: If it has anything to do with the president, everything possible will be done, money is no object.”
After having worked “like dogs” to prepare the exhibition, El-Saddik was briefed that the visit should not take more than 15 minutes. Mubarak was tired and had problems standing up and Silvio Berlusconi was visibly not interested in the exhibition. When El-Saddik tried to draw their attention to the Egyptian Book of the Dead, she told both Berlusconi and Mubarak that “all those who have flouted the laws and offended those nearest to them are gobbled up by the devourer.” At that moment, she wrote, Mubarak smiled and photographs were taken. Who would have guessed then that by February, Mubarak would step down as president of Egypt?
The making of an archaeologist
When El-Saddik began university, she wanted to be a journalist. During a break, she went on an excursion to Luxor and Aswan organized by the faculty of archaeology. That trip changed her life as she decided to major in archaeology and was no longer interested in a journalistic career.
She quickly earned a reputation as somebody who stood up to figures of authority.
When President Anwar Sadat ordered that the upper part of the Khafre Pyramid be cleaned so it would become the same color as the pyramid’s lower part, she refused to follow the order. The chief inspector of the Giza precinct admonished her, saying: “Why haven’t you finished the job? How can you dare oppose a directive from the president?”
El-Saddik answered firmly: “How can you dare to order such nonsense?”
The inspector threatened to dismiss her so she filed a report explaining that the stones used for the construction of the lower and the upper part of the pyramid were from different quarries. The stones in the oldest part of the Khafre Pyramid came from the pyramid plateau, whereas the remaining stones were taken from the Tura limestone quarries. This clearly explains why the stones have different natural colors.
A few days later, the cleaning project was called off and this incident did not impact her career negatively. On the contrary, in 1976, El-Saddik became the first Egyptian woman to direct an excavation.
When El-Saddik was eventually appointed as the director of the Egyptian Museum in 2004, she wasted no time in doing an inventory of the objects piled up in the vast cellar of museum, which covers an area nearly the size of two football fields.
“The Egyptian Museum’s cellar is the stuff of legend…. For nearly 100 years it served as the central storeroom for all the artifacts awarded to Egypt in the division of finds,” she wrote.
To this day, Tutankhamen’s treasure remains Egypt’s most famous exhibition. After its worldwide tour between 1972 and 1982, a sculpture from the tomb’s treasure was damaged and the government issued a travel ban on the relics. That ban was lifted when Mubarak needed $500 million for his Grand Museum. El-Saddik curated the exhibition “Tutankhamen, the Golden Beyond” which toured the world and brought in around $100 million.
“Protecting Pharaoh’s Treasures” is a journey through El-Saddik’s life in Egyptology. As she looks back at the history of her country, we discover an amazing woman. She is truly in a league of her own.
Book Review: Dive into Egypt’s glorious past
Book Review: Dive into Egypt’s glorious past
What We Are Reading Today: ‘Dragonflies and Damselflies of the World’ by Klass-Douwe B. Dijkstra
Airily dancing over rivers and ponds, the thousands of colorful dragonfly and damselfly species that cohabit our planet may seem of little importance.
Few life-forms, however, convey the condition of the most limiting resource on land and life’s most bountiful environment as well as they can: While the adults are exceptional aerial hunters, their nymphs are all confined to freshwater.
“Dragonflies and Damselflies of the World” showcases their beauty and diversity while shedding light on how they evolved into the vital symbols of planetary health we celebrate today.
Emirates Airline Festival of Literature announces 2025 lineup
DUBAI: The Emirates Airline Festival of Literature organizers announced the lineup of award-winning authors and speakers for its 2025 edition on Tuesday.
The annual literary event, set to take place from Jan. 29 to Feb. 3 at the InterContinental Dubai Festival City, promises more than 150 events, including talks, panel discussions, and workshops, all under the theme “Where Stories Happen.”
Leading the list of authors is US-Indian writer and Stanford University professor Abraham Verghese, author of “The Covenant of Water,” which rose to fame when it was chosen for Oprah Winfrey’s book club.
Also included in the lineup are Nobel Prize laureate Abdulrazak Gurnah, Emmy Award-winning journalist Hala Gorani, Palestinian chef and hotelier Fadi Kattan, and author and illustrator of the popular “Diary of a Wimpy Kid” series Jeff Kinney.
Closer to home, Saudi author Faisal J. Abbas will talk about his new book, “Anecdotes of an Arab Anglophile,” a witty and thoughtful take on what it is like being an Arab in London.
“With everything going on in the world, now more than ever, we need stories. We need human connection. We need to come together in the ‘sanctuary of dreams’ … which the festival offers,” Tamreez Inam, head of programming, told Arab News.
“The festival welcomes people who want to dream and imagine a world that celebrates our shared humanity and offers a place where people can tell their own stories, find themselves in other stories and connect at that very human level. And I think that’s why the 2025 festival is so important; it’s needed more than ever now,” she added.
Dania Droubi, the festival’s chief operating officer, revealed that the event will also host an international youth program.
“We have 150 university students from around the world coming to participate in our program, and they are going to be here in Dubai,” she said.
“They’re all students who speak Arabic and who study Arabic. They are going to be here to meet with another 150 from the UAE-based universities, and they’re here to attend and see the authors and the speakers … and just participate in these discussions, because the youth are the future.”
What We Are Reading Today: ‘Leonardo da Vinci: An Untraceable Life’ by Stephen J. Campbell
Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand.
Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.
What We Are Reading Today: ‘Clouds’ by Edward Graham
The mystery of clouds has captivated scientists and artists alike.
This unique book shows you how to use the meteorological techniques of nephology to identify these elusive and transmutable shapes.
“Clouds” blends a lively and engaging narrative by one of today’s leading meteorologists with an essay on historic cloud art, and includes a wealth of breathtaking cloud studies by some of the greatest artists ever to look skyward.
What We Are Reading Today: ‘Understanding the Digital World’
- Kernighan touches on fundamental ideas from computer science and some of the inherent limitations of computers, and new sections in the book explore Python programming, big data, and much more
Author: BRIAN W. KERNIGHAN
In this updated edition of “Understanding the Digital World,” Brian Kernighan explains how computer hardware, software, and networks work.
Topics include how computers are built and how they compute; what programming is; how the Internet and web operate; and how all of these affect security, privacy, property, and other important social, political, and economic issues.
Kernighan touches on fundamental ideas from computer science and some of the inherent limitations of computers, and new sections in the book explore Python programming, big data, and much more.