She was the presumptive favorite in the 2016 US presidential election. She was also extremely qualified when compared to her inexperienced opponent. Yet, against all odds, she managed to lose to a divisive candidate who won in one of the most astounding victories in American political history. On the night of Nov. 8, 2016, when the results started pouring in, surprise gave way to astonishment as everyone asked the same question: What Happened to Hillary Rodham Clinton?
Everyone seems to have a theory as to why she failed to become the first woman president of the US. But what was going through her mind during that incredible election night? For the first time, Clinton looks back on the election in her book “What Happened.” She tells her side of the story with humor and sincerity and this poignant memoir will interest both her supporters and her detractors.
Clinton never imagined she write a book about the shocking loss, however, it is not a comprehensive account of the 2016 race as “that’s not for me to write, I have too little distance and too great a stake in it,” she writes.
She has chosen to focus on moments from the campaign, on people who inspired her and on the major challenges she has tackled during her nearly four decades in public service.
Despite the broad focus, it is natural that readers will wonder how she felt on the night of the election. Clinton, accompanied by her family and senior staff members, were staying at The Peninsula hotel, just a block away from Trump Tower. “The waiting was excruciating,” she admits. So, she decided to take a nap hoping that when she woke up, things would look better. When she got up, the atmosphere in her suite on the top floor was even gloomier and as the hours went by, the numbers were not getting any better.
“How had this happened? All our models, as well as all the public polls and predictions, gave us an excellent chance at victory. Now it was slipping away. I felt shell-shocked. I hadn’t prepared mentally for this at all. There had been no doomsday scenarios playing out in my head in the final days, no imagining what I might say if I lost. I just didn’t think about it. But now it was real as could be and I was struggling to get my head around it. It was like all the air in the room had been sucked and I could barely breathe.”
She gave her concession speech in a grey-and-purple suit that she intended to wear on her first trip to Washington as president elect. This is one of the many details that shows how Clinton was absolutely not prepared to lose. All her plans revolved around her victory.
Clinton spent the first day after her defeat following these dramatic events and doing very little else. She could not handle people’s kindness, sorrow and bewilderment and their explanations for how she had failed. “Bill and I kept the rest of the world out. I was grateful for the one billionth time that I had a husband who was good company, not just in happy times, but sad ones as well.” The next day, she finally reconnected with people, answering an avalanche of emails and returning phone calls.
Afterwards, she writes, she spent long hours walking with her husband and talking again and again about the unforeseeable loss. She also learned how to be grateful for the hard things. “My task was to be grateful for the humbling experience of losing the presidential election. Humility can be such a painful virtue.”
President Barack Obama played a key role in Clinton’s decision to run for president. He was well aware that his legacy depended, to a large extent, on a Democratic victory in 2016. “He made it clear that he believed that I was our party’s best chance to hold the White House and keep our progress going and he wanted me to move quickly to prepare to run.”
Clinton announced her candidacy in June 2015 and, amidst all the positive comments she received after her speech, she hardly paid attention to American journalist E.J. Dionne’s sharp remark: “Hillary Clinton is making a bet and issuing a challenge. The bet is that voters will pay more attention to what she can do for them than to what her opponents will say about her.”
We all now know that Clinton lost the white working-class vote, Trump garnered their attention with populist rhetoric and an excellent slogan — “Make America Great Again.”
Although Clinton dreams of a future in which women in the public eye will not be judged for how they look but for what they do, when she was campaigning, she always made time for her make-up and to have her hair done. “The few times I’ve gone out in public without makeup, it’s made the news,” she wrote in the book. Clinton even calculated how many hours it took her to have her hair and make-up done during the campaign. It came to 600 hours, which is equivalent to 25 days.
Clinton shares personal details in the book, for example, she tells readers that whenever she was traveling, she never went to sleep without calling her husband. These conversations kept her “grounded and at peace,” she writes, adding: “He’s funny, friendly, unflappable in the face of mishaps and inconveniences and easily delighted by the world…He is fabulous company.”
This book shows Clinton as we have never seen her before — vulnerable, forgiving and humble.
It leaves us all wondering, what will happen next?
Book Review: Hillary Clinton in her own words
Book Review: Hillary Clinton in her own words
What We Are Reading Today: ‘The Renormalization Group and Condensed Matter Physics’
Authors: David Nelson & Grace H. Zhang
Renormalization group ideas have had a major impact on condensed matter physics for more than a half century.
This book develops the theory and illustrates the broad applicability of the renormalization group to major problems in condensed matter physics.
Based on course materials developed and class-tested by the authors at Harvard University, the book will be especially useful for students, as well as researchers.
What We Are Reading Today: ‘Black Snow’
- The series provides insight into the South Sea Islander community, highlighting its rich history and struggles in a way that feels both authentic and respectful
“Black Snow” is a captivating Australian mystery-drama series that combines crime, culture, and community.
The show's season one is set in a small, tight-knit town in Northern Queensland, where the murder of a 17-year-old girl shocks the residents.
Decades later, the case remains cold — until a piece of startling new evidence is unearthed from a 25-year-old time capsule, reopening the investigation and forcing the town to confront buried secrets.
As the story unfolds, viewers are taken on a journey through shifting timelines, uncovering hidden truths about the victim, her family, and the community she left behind.
What truly sets “Black Snow” apart is its focus on cultural depth.
The series provides insight into the South Sea Islander community, highlighting its rich history and struggles in a way that feels both authentic and respectful.
The show not only explores the devastating impact of the murder on this community but also sheds light on their historical marginalization, making it much more than a typical mystery.
Travis Fimmel delivers a standout performance as Det. James Cormack, the investigator tasked with solving the decades-old case.
Cormack’s dogged determination, combined with his personal flaws, makes him an intriguing and relatable character.
The ensemble cast also shines, with heartfelt performances that bring depth to the town's residents, each harboring their own secrets and motivations.
Visually, “Black Snow” is stunning, with breathtaking cinematography that captures the beauty of Queensland’s sugarcane fields and coastal landscapes, while emphasizing the isolation and tension of the small town.
The show’s eerie atmosphere is heightened by a deliberate, slow-burn pacing that meticulously unravels the mystery, though it may feel overly drawn out to viewers who prefer faster narratives.
However, the series does have minor shortcomings.
Some secondary characters are underdeveloped, and while the mystery is compelling, it occasionally leans on familiar crime drama tropes that risk feeling predictable.
What We Are Reading Today: ‘Prehistoric Textiles’
- “Prehistoric Textiles” made an unsurpassed leap in the social and cultural understanding of textiles in humankind’s early history
Author: E.J.W.BARBER
This pioneering work revises our notions of the origins and early development of textiles in Europe and the Near East.
Using innovative linguistic techniques, along with methods from paleobiology and other fields, it shows that spinning and pattern weaving began far earlier than has been supposed.
“Prehistoric Textiles” made an unsurpassed leap in the social and cultural understanding of textiles in humankind’s early history.
What We Are Reading Today: ‘Fuji: A Mountain in the Making’
Author: ANDREW W. BERNSTEIN
Mount Fuji is everywhere recognized as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear.
It has been both a totem of national unity and a flashpoint for economic and political disputes.
And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries.
What We Are Reading Today: ‘On Earth We’re Briefly Gorgeous’
- Vuong, a celebrated poet, brings his mastery of language to this debut novel, crafting a work that is as emotionally resonant as it is stylistically daring.
Author: Ocean Vuong
Ocean Vuong’s “On Earth We’re Briefly Gorgeous” is a breathtaking and poignant exploration of identity, memory and the enduring impact of generational trauma.
Written as a letter from a son to his mother, the novel bridges the personal and the universal, weaving together themes of love, family and survival with exquisite lyricism.
Vuong, a celebrated poet, brings his mastery of language to this debut novel, crafting a work that is as emotionally resonant as it is stylistically daring.
The narrator, Little Dog, writes to his illiterate mother, recounting his experiences growing up as a Vietnamese immigrant in America. Through this deeply personal lens, Vuong delves into the complexities of their relationship, marked by both tenderness and violence, shaped by her own traumas from the Vietnam War.
Little Dog’s reflections extend beyond their dynamic to explore his own coming of age, his struggles with identity, and the weight of cultural dislocation.
What sets the novel apart is Vuong’s poetic prose, which transforms every sentence into something luminous. His language is evocative and tactile, imbuing even the smallest moments with profound significance. Whether describing the beauty of a first love or the scars left by intergenerational pain, Vuong’s words resonate with a raw honesty that cuts to the core.
At its heart, “On Earth We’re Briefly Gorgeous” is a meditation on the power of storytelling. Little Dog’s letter becomes an act of preservation — a way to make sense of his own life and honor the sacrifices of those who came before him.
Vuong examines the ways memory is shaped by trauma and love, showing how the past informs the present in both painful and redemptive ways.
The novel’s structure, non-linear and fragmented, mirrors the nature of memory itself, creating a narrative that feels both intimate and expansive. While its introspective style and heavy themes may not appeal to all readers, “On Earth We’re Briefly Gorgeous” is an unforgettable work that demands attention.
Vuong has crafted a novel of extraordinary beauty and depth, a tender and haunting reflection on what it means to be human, to love and to endure. It is a book that lingers in the heart and mind long after the final page.