PARIS: Dominican monks from France explored Mada’in Salih more than a century ago.
It has been a fruitful few days for Saudi-French cultural relations, with the official visit of Crown Prince Mohammed bin Salman heralding the signing of several co-operation agreements ranging from setting up a national opera to developing tourism around archaeological sites.
But France’s links to Al-Ula, in northwest Saudi Arabia, go back much farther than the establishment of the Royal Commission for Al-Ula (RCU) eight months ago. Archaeologist Dr. Laila Nehmé began working with Saudi colleagues in 2002 and is co-director — with Saudi archaeologist Dr. Daisallah Talhi — of the Saudi-French excavation program at Madain Saleh.
Hers was the first foreign team since the 1970s to be allowed to work in the country. “And it was led by a woman! But we never had any problems with the Saudis. They would do anything to help us. They are our friends,” she told Arab News.
But Nehmé explained she is following in the footsteps of Frenchmen Antonin Jaussen and Raphael Savignac, who first explored Madain Saleh more than a century ago, in 1907.
The two men were Dominican monks from the French Biblical School in Jerusalem and both had a passion for archaeology.
Their five-volume “Mission Archaeologique en Arabie” became the standard reference work on Middle Eastern archaeology and was translated into Arabic.
“Those two Dominican fathers really started the relationship,” said Nehmé.
In the late 1990s, a small group of French academics began making contacts with Saudi counterparts through meeting them at international conferences. At the time, Saudi Arabia wanted Madain Saleh to be accorded World Heritage site status by UNESCO and sought help from the French.
“These relationships are built up over time,” said Nehmé, who is also senior research fellow at the French National Center for Scientific Research in Paris and has worked in Petra and on archaeological sites in Syria.
The existing settlements of Al-Ula, Al-Atheeb and Moghairah can already cater for visitors but are ripe for immediate development. They also offer access to only 2,000 square kilometers, a fraction of Al-Ula’s total area.
“There are also some nice hideaway resorts. It is possible to stay in Al-Ula in comfort already, but a hotel is much more than just a bed,” said Al-Madani. “We need better gastronomy and we intend to recruit chefs from all over the world. We need nightlife, performance, art, night walks. We don’t want to simply meet standards, we want to elevate them and set them for others to follow.”
A local airport opened four years ago and there are good roads; but improving public transport is another part of the project, along with linking up with plans for holiday resorts on the Red Sea, so visitors can spend time exploring the historic sites and follow up with a few days on the beach. The potential openings for anyone with the required skills, or the motivation to acquire them, seem almost limitless — a fact not lost on the young people of Al-Ula province. More than 2,100 people out of a local population of 70,000 applied for those 200 traineeships.
The chosen candidates will spend three to six months at college in Riyadh while careers advisers and psychologists assess their abilities and where they might be best applied.
“Then they will be sent out into the world, to improve their languages, to learn how to be independent,” said Al Madani.
Young girls and boys sent out into the world to be independent? It is not the picture most outsiders have of Saudi Arabia. The change in perception, the big plans, the breath-taking ambition of Vision 2030, all emanate from the country’s youthful crown prince.
“This is a new era for Saudi Arabia and it all comes from him,” said Al-Madani. The Al-Ula project, too? “Everything.”
A graduate of Harvard Business School, Al-Madani has 15 years’ experience in discovering and nurturing innovation. He is also a former chief executive of the General Entertainment Authority, the body charged with bringing cinema, live performances and sporting events back to the Kingdom.
But he talks about Al-Ula with such zeal that Amr Al-Madani truly gives the impression that he believes he has the best job in town — any town.
Certainly, re-introducing Al-Ula to the world is a bigger task than introducing the world to Al-Ula.
“Many centuries ago,” Al-Madani says, “Al-Ula was already used to seeing people from all over; Al Ula was global long, long ago.”
Depth of ties: A long history of French archaeology in Saudi Arabia
https://arab.news/yzxgx
Depth of ties: A long history of French archaeology in Saudi Arabia
- Saudi-French excavation program at Madain Saleh started in 2002
- Two Dominican monks were the first French to explore Madain Saleh
UN Internet Governance Forum concludes in Riyadh
- Event witnessed launch of Riyadh Declaration to help strengthen international partnerships in AI
- Forum featured experts from 170 countries
RIYADH: The UN Internet Governance Forum concluded its 19th edition on Thursday at the King Abdulaziz International Conference Center in Riyadh.
The forum’s organizers said that the global event had focused on internet governance policies and emerging digital challenges. It had achieved the highest attendance in the history of the forum, surpassing 11,000 participants.
The forum also witnessed the launch of the Riyadh Declaration, a document which aims at strengthening international partnerships in artificial intelligence and digital technologies to serve humanity.
The event featured experts and specialists in internet technology and policy from 170 countries, with more than 1,000 international speakers contributing to over 300 sessions and workshops, the Saudi Press Agency reported.
It revolved around four main topics: innovation and risk in the digital space; development and sustainability; promoting human rights and inclusiveness; and improving the digital governance of the internet, the SPA added.
King Abdulaziz Falconry Festival concludes with record-breaking prize pool
- The 17-day event featured 1,032 falconers from nine countries, 3,322 birds and a total prize pool of $9.6 million
The 2024 King Abdulaziz Falconry Festival, which featured a prize pool of more than SR36 million ($9.6 million), the largest in the history of the event, concluded on Thursday.
The festival, which began on Dec. 3 and was organized by the The Saudi Falcons Club at its headquarters in Malham, north of Riyadh, featured 1,032 falconers, of whom 160 came from outside the Kingdom. They represented nine countries — Saudi Arabia, Bahrain, Kuwait, the UAE, Oman, Qatar, Syria, Italy and Ireland — and brought with them 3,322 birds. A youth section included 49 young falconers.
The festival culminated in two rounds of the King’s Sword, the toughest and most lucrative section of the Melwah competition, with total prize pools of SR925,000 for each round.
Barghash Al-Mansouri, who won the first round in the Shaheen and Hur categories, said his falcon SH13 had performed exceptionally well to clinch first place. He said the bird has great strength but can be affected by adverse wind conditions. On the day, however, conditions were favorable and it was able to maintain stability and perform at its best.
He added that he had expected Shama, a falcon owned by Fahd Al-Mansouri, to take the top spot but instead it finished second. He thanked the club for its exceptional efforts in organizing the festival and congratulated all the winners, noting that the competition grows stronger each year.
Talal Al-Shumaisi, CEO of the Saudi Falcons Club, thanked the Kingdom’s leaders for their support of falconry and its heritage, in particular Crown Prince Mohammed bin Salman, who is the club’s general supervisor. He also thanked Minister of Interior Prince Abdulaziz bin Saud bin Naif, the chairman of the board of directors of the club, for his support.
Princess Nourah University launches ‘Itar’ exhibition to highlight student filmmaking projects
- The exhibition features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom
RIYADH: Princess Nourah bint Abdulrahman University, represented by the College of Design and Arts, has launched the “Itar Exhibition 2024” to feature the graduation projects of 26 students from the film production and animation program.
The exhibition, which is part of the Department of Film and Theater Arts’ graduation project course, features seven short films, each with distinct themes drawn from the cultural identity of the Kingdom.
The exhibition highlights the cognitive, technical, and creative skills developed by the graduates through their film projects, demonstrating their proficiency in applying creative and critical thinking methodologies.
The exhibition provides a platform for interaction and collaboration among graduates, university students, employers, industry professionals, researchers, partners, the business sector, and the broader community. It also prepares graduates to compete in the job market and venture into entrepreneurship.
Haya Al-Rashoud, head of the Department of Film and Theater Arts at PNU, said that the exhibition is part of the College of Design and Arts’ commitment to developing national talent. It aims to foster a supportive and inspiring environment for creativity, expertise, and specialized scientific skills, while aligning with the evolving demands of the labor market, particularly in the film industry.
The “Itar Exhibition 2024” at the College of Design and Arts reflects the objectives of PNU’s 2025 strategic plan, aiming to cultivate competitive talent and empower female students. It creates an educational environment that inspires creativity, enriches cultural and artistic expression, and promotes learning, research, and innovation.
Additionally, it underscores the university’s commitment to advancing women’s leadership in driving development and progress.
Telling stories of Al-Ahsa through art
- Fatima Al-Hammadi uses fronds to showcase the history and heritage of her region through a natural element
MAKKAH: In a small house shaded by palm trees in the heart of Al-Ahsa’s palm oasis, artist Fatima Al-Hammadi transforms fronds – often considered mere remnants of palm trees – into works of art.
Her creations tell the story of Al-Ahsa’s ancient heritage. Since childhood, Al-Hammadi viewed the surrounding palm trees from a unique perspective.
They were not just a source of livelihood; they symbolized civilization itself. Motivated by this, she decided to breathe new life into the fronds, using her art to highlight the beauty of Saudi heritage both locally and internationally.
A graphic artist accredited by the Saudi Ministry of Education, Al-Hammadi told Arab News, “I have always been passionate about graphic art. It is a dream I have aspired to achieve on the global stage.
“I have always wanted to become an internationally recognized graphic artist. Today, I am working hard to make that dream a reality, armed with my skills and my deep connection to the heritage of my homeland, Al-Ahsa.”
“Al-Ahsa, the famous palm oasis in the Eastern Province, inspired me to transform the land’s natural bounty into art. Palm fronds are the primary material I use in my work. I take them – once considered waste, destined to be burned – and transform them into art that reflects the story of Al-Ahsa’s civilization and heritage. My goal has always been to showcase the history and heritage of my region through this natural element. My work has been highly appreciated in Al-Ahsa and across the Kingdom,” she explained.
“During the various exhibitions and events I have participated in, I noticed the public’s interest and fascination with artwork that blends nature and creativity.” She attributes her choice of palm fronds to her inspiration from nature itself, which has earned her recognition among both art lovers and heritage enthusiasts.
Reflecting on the evolution of graphic art in the Kingdom, Al-Hammadi noted its remarkable growth and prosperity.
“The fact that young men and women are showing increased interest in graphic arts signals the maturing taste of the Kingdom’s art scene. However, this sector requires greater support from art institutions,” she said, emphasizing the importance of artists’ awareness of their local culture and national heritage in fostering the growth of graphic art.
Underlining the need for more local and international art exhibitions and opportunities for artists to participate in local, Arab and international art fair, she said: “This kind of support is crucial for raising the profile of Saudi graphic art and enabling it to compete on the world stage.”
With her ambitious vision and the support of her community, Al-Hammadi looks forward to a bright future for graphic arts in the Kingdom, where creativity serves as a bridge between the ancient past and the present.
Attempt to smuggle 180 kg of qat thwarted in Saudi Arabia’s Asir
ASIR: Saudi authorities in Al-Raboah, Asir, have foiled an attempt to smuggle 180 kg of qat. Legal procedures have been initiated and the confiscated drug handed over to the relevant authorities.
Meanwhile, the authorities have arrested a resident in Yanbu for attempting to sell methamphetamine (shabu). Legal action has been taken against him, and he has been referred to the Public Prosecution.
Elsewhere, land patrols of the Border Guard in Al-Dayer, Jazan, have apprehended six Ethiopians for attempting to smuggle 162 kg of qat. Preliminary legal procedures have taken place and the suspects, along with the seized drug, handed over to the relevant authorities.
Security authorities have urged citizens and residents to report any activities related to drug smuggling or trafficking. Informants can contact the authorities by calling 911 in Makkah, Riyadh, and the Eastern Region, and 999 in the rest of the Kingdom.
