How Misk festival is enriching creative arts in Saudi Arabia

‘Flicker’ by Donia Al-Shetairy. (Supplied)
Updated 16 November 2019
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How Misk festival is enriching creative arts in Saudi Arabia

  • Third edition of festival dedicated to the creative arts in KSA and abroad held in Riyadh
  • Misk Art presents a fair-like setup of local and international exhibitions, workshops and discussions

RIYADH: “We wish to open new horizons toward understanding the artistic aspects surrounding us and use them to enrich the local creative content as well as the Saudi art scene,” said Reem Sultan, CEO of Misk, referring to Misk Art, a festival dedicated to the creative arts in Saudi Arabia and abroad.

Misk Art presents a fair-like setup of local and international galleries, art exhibitions, workshops and talks with the aim to empower local artists and raise community awareness about the power of creativity.

Titled “Experiment 0.3,” the third edition of Misk Art focused on how the act of experimenting through critique and research empowers creativity and the local art scene.

From Oct. 29 to Nov. 2, about 50,000 visitors visited a temporary space on King Fahad Road in the Al-Yasmin district of Riyadh.

Here they viewed works by more than 250 artists showcased amid the initiative’s various sections, including an art district, numerous specially curated exhibitions, art installations and the North East Zone, an outdoor area where bold ideas can be tested.

Among the 15 participants in Misk Art 2019 were Jeddah-based Hafez Gallery and Athr Gallery; Mono Gallery from Riyadh; Egyptian Galler Misr; Riyadh-based Hewar Art Gallery; Ella Art Gallery from Manama, Bahrain; Palette Gallery from Riyadh; Jeddah-based Nesma Art Gallery; Sharqia Arts from Riyadh and 6th Sense Gallery, also from Riyadh.




Hamza Bounoua’s ‘My World 2’. (Supplied)

Misk Art is organized by the Misk Art Institute, a platform founded in 2017 to support art and artists operating under the auspices of Misk Foundation, established by Crown Prince Mohammed bin Salman.

Misk Art 2019 was comprised of four exhibitions and about 100 workshops. It also included the second edition of its Sculpture Symposium, which saw 21 works commissioned especially for the event by sculptors from 14 countries.

“Everything was chosen based on the event’s theme to showcase experimentation,” said Sultan. “We also formed committees of well-known artists that helped to select and filter the artworks, artists, workshops and exhibitions under our supervision.”

In one of the event’s principal installations, a multitude of dead trees covered in foil by artist Abdullah Alothman entitled “Tin Farm” (2019) explored notions of collectivity and individuality through the natural phenomena of trees.

“The Tin Farm consists of a myriad of diverse trees like many souls with frozen oxygen in their veins,” said Alothman. “I exhibit trees of tinfoil in order to enter a state of lucid dreaming and artistic fantasy where the branches of the trees extend to the sky.

“Similar to fingerprints — no two are alike — every tree, every branch, every strand of grass has its own unique murmur.”

“Through experimentation we discover possibilities; through experimenting you connect with your creative soul, your unique and authentic voice; explore different realms of art, venture into unfamiliar paths and break every rule!” read a statement on this year’s theme.

What was paramount, said Sultan, was “deepening the concept of research and experience in various fields of art.”

In “Land, Medium, Idea,” artist and curator Moath Alofi created three stations exploring land, material and thoughts.

“We created three rooms; one to show the audience how Google Maps allows us to explore Saudi Arabia and how through this tool the visitor can interact and find their own unique places in the Kingdom,” said Alofi.

“The second station explored the various materials from which art can be made and the third room is like a speed-dating station for art and thoughts — like a five-minute consultancy with the artist and with me.




‘Simple yet complex’ by Maisa Shaldan. (Supplied)

“It’s a place where visitors could ask questions, discuss and explore art creation.”

In another exhibition, entitled “Flow,” Saudi artists Fahad and Talal explored the work of late 20th-century artists Andy Warhol and Jean-Michel Basquiat through a jointly created artwork that bridged different styles and ultimately asked the question: Where does one artist begin and the other end?

Perhaps, as the work demonstrated, experimentation is continuous and part of an ever-evolving cycle of inspiration and exploration.

“Contrast in Harmony,” a show curated by artist Lulwa Al-Homoud, known for her contemporary calligraphic works, similarly explored how a visual expression of harmony can be achieved by simultaneously merging contrasting elements.

“A sense of peace can be generated even through our differences,” said Al-Homoud.

Participating artists included Hala Al-Khalifa; German artist Wolfang Stiller; Egyptian Hazem El-Mestikawy; Bahraini artist Jamal Abdulrahim; Ismail Al-Rifa from Syria and silkscreen prints of Victor Vasarely (1906-1997), known as the father of Optical Art.

“Soujorn,” an exhibition curated by Kolood Al-Bakr and Abdulsalam Al-Amiri, investigates the necessity of different experiences and knowledge throughout life.

“One can never acquire knowledge without an experience or form an idea without a dialogue,” said Al-Bakr.

A sense of peace can be generated even through our differences.

Lulwa Al-Homoud, artist

“One of the factors that contributes to the quality of human life is to go through different encounters and experiences that will eventually assist in improving human growth.”

Part of the exhibition was the installation “Did you capture it?,” by videographer Tarfa Bint Fahad with music by Weirdsaudi.

The video explored how our lives have been shaped by the Instagram images we consistently seek to take and how by doing so often miss the smaller, and at times, more important aspects of our daily lives.

“Did you capture it?” is dedicated to those moments that often go missing in the constant bubble of social media snapping. As Tarfa captures life’s little details, Weirdsaudi composes a score of music that similarly adds back the forgotten sounds of those moments into our daily lives.

Art at the Misk Global Forum Art was of pivotal importance during the Misk Global Forum, which was organized by the Misk Initiative Center at the Misk Foundation and took place from Nov. 12 to Nov. 14 in Riyadh under the title “Work Reworked”

It will explore new trends and changes in the world of work in the presence or more than 140 entrepreneurs and 5,000 people from more than 120 countries.

Entitled “Presence,” the first art installation, is in the form of an interactive experience presented by Misk Art Institute to explore how one’s presence, in body and soul, influences the way they perceive the world around them.

The second, entitled “Brace,” also offered an immersive digital experience by artist Abdul Halim Radwi, showcasing through large display screens covering the room the sensation of painting.

In December, Misk Art Institute will be participating in Diriya Season with an initiative called Tajallat.

Now in its fourth edition, Tajallat is an initiative where 20 artists from all over the Kingdom are invited to take part in a live-drawing show inspired by the historic Al Turaif District, listed as a UNESCO World Heritage site.

 


Iraqi artist Afifa Aleiby unveils new painting of historical women from Islamic civilization

Updated 08 March 2025
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Iraqi artist Afifa Aleiby unveils new painting of historical women from Islamic civilization

SHARJAH: What do Wallada Al-Mustakfi, Rufaida Al-Aslamia, Dayfa Khatun, and Aminatu have in common? They are all distinguished women in Islamic history that you more than likely have never heard of before. That is about to change thanks to a new painting by the acclaimed Iraqi artist Afifa Aleiby, whose colorful “A Wonderful World,” pays tribute to 16 noteworthy Muslim women whose names have faded away over time.

Commissioned by the Barjeel Art Foundation in Sharjah, the painting will be on public display at the House of Wisdom in Sharjah until the end of Ramadan and will later be transferred to the Sharjah Museum of Islamic Civilization.

Aleiby’s work is a companion piece to a 1988 painting titled “Islamic Scientists,” by the late Syrian artist Mahmoud Hammad and currently in the collection of Barjeel Art Foundation.

The Legacy of Muslim Scientists, House of Wisdom, Sharjah. (Supplied)

In his composition, Hammad highlighted 16 influential male scholars and physicians, including Ibn Sina and Ibn Rushd. “Exhibited together for the first time, these artworks stand as a powerful reminder of the transformative impact of these intellectuals, both men and women, on the history of Islamic civilization," reads a wall text. The recent unveiling event opened with a panel talk, where Aleiby and Hammad’s daughter, Lubna Hammad, discussed the displayed artworks.

Aleiby noted some of the difficulties in taking on this open-call commission, including a lack of resources, literary and visual. “Some of these women have only two or three lines written about their history and role,” she said.

In her detailed piece, dotted with symbolic elements (such as the proud peacock and a library of books) and set against a serene landscape, Aleiby depicted notable women of medicine, astronomy, poetry, science, education and military leadership who lived between the 7th and 17th centuries in Africa, Andalusia, India, and the Arab world.

One of these figures is Razia Sultana, who was born in the 13th century and went on to become the first and only female ruler of the Delhi Sultanate in India. From the 11th century, there is also a depiction of Safiyya bint Abdullah Al-Riyy, who was a skilled calligrapher and poet in Andalusia. Another Andalusian woman of poetry is the rebellious and liberal Wallada Al-Mustakfi, who formed a literary salon that was a meeting point for male and female voices.


Recipes for Success: Chef Dexter Gelizon offers advice, a recipe for avocado ceviche 

Updated 07 March 2025
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Recipes for Success: Chef Dexter Gelizon offers advice, a recipe for avocado ceviche 

DUBAI: Filipino chef Dexter Gelizon, is currently sous chef at Dubai’s sister restaurants Salvaje (which serves Japanese cuisine) and Arrogante (Italian). 

“My journey as a chef began when I was 17 years old, helping my aunt run her food truck,” Gelizon tells Arab News. “It was there that I started honing my palate and developing my skills in creating innovative recipes. Over time, I fell in love with Japanese flavors and techniques, which completely transformed my path.” 

But his love for cooking was sparked at a much earlier age. 

“My earliest memory of cooking goes back to when I was five, making adobo — braised chicken in soy sauce — with my mom. That left a lasting impression on me,” he says. 

Here he talks salt, simplicity, and sharpness. 

What was the most common mistake you made when starting out?  

Overcomplicating the plate. I’d focus too much on presentation and lose sight of the most important element — the flavor. Now, I prioritize flavor and quality above all else. 

What’s your top tip for amateur chefs? 

Invest in good-quality equipment and utensils. A sharp knife, a reliable stove or induction cooktop, and sturdy pans can make all the difference. Having the right tools makes the cooking process smoother, but it also sets the tone for a positive and enjoyable experience. When I see a well-equipped kitchen, it puts me in a good mood and inspires me to prepare food with care and enthusiasm. 

Arogante. (Supplied)

What one ingredient can instantly improve any dish? 

Salt. It has the power to elevate and balance the flavors, bringing out the best in every ingredient. But achieving the right balance can be tricky — it requires precision and care. Too little, and the flavors might fall flat; too much, and the entire dish can be ruined. 

What’s the most common issue that you find in other restaurants when you go out? 

The experience for diners starts with the service — it sets the tone for the entire meal. When the staff explain the dishes on the menu with enthusiasm and precision, it excites me and heightens my anticipation. However, if the service fails to make a good first impression, it can shift my focus, and I might start noticing flaws or areas for improvement. Service and atmosphere are as important as the food itself in creating a memorable dining experience. 

What’s your favorite dish?  

I always look for ramen. It’s incredibly satisfying. I love exploring how different chefs are evolving and innovating with flavors and techniques. Ramen is fascinating to me because it’s so complex — every component, from the broth to the noodles and toppings, needs to be perfectly balanced. It’s tricky to get right, but when done well it’s absolutely delicious and a true testament to a chef’s skill. 

What’s your go-to dish if you have to cook something quickly at home? 

A combination of eggs, sausage, rice, and soup. It’s quick to prepare, satisfying, and gives me the energy I need — perfect for a busy day. 

What customer behavior most frustrates you?  

What annoys me most is when customers deconstruct a well-prepared dish that has a perfect balance of flavors. Each element is carefully crafted to complement the others, so altering it can disrupt the harmony and intention behind the dish. 

What’s your favorite dish to cook?   

Braised short ribs in peanut sauce, a dish my mom calls Kare Kare. Braising the short ribs is a complex and time-intensive process, but the result is incredibly rewarding. There’s a deep sense of pride and satisfaction when you achieve perfectly tender meat paired with a rich, creamy peanut sauce. It’s a dish that carries a lot of sentimental value for me. 

What’s the most difficult dish for you to get right?  

From the Salvaje menu, the most challenging dish is the Salvaje steak. There are two crucial components to manage — the steak and the sauce. Timing is everything. If the timing is off, the steak can easily become overcooked, and the sauce can split and turn oily. Once that happens, there’s no way to fix it — you have to start over from scratch. It requires precision and focus to ensure it’s served perfectly every time. 

What are you like in the kitchen? Are you a disciplinarian? Or are you more laid back?   

I’m a disciplinarian, but in a calm and constructive way. I see myself as a teacher, focusing on guiding and correcting where needed. If I ever raise my voice, it’s only because something has gone seriously wrong — but I work hard to ensure it doesn’t come to that. 

 Chef Dexter’s avocado ceviche recipe  

Avocado ceviche recipe. (Supplied)  

Char-grilled avocado with amarillo ponzu, fried corn, chili, mango, cucumber and onion 

Procedure: 

Cut the avocado into quarters, grill it to get smoky flavor, put on a plate and drizzle with amarillo ponzu, add the rest of the vegetables randomly, finish with salt and olive oil. 

INGREDIENTS: 

Amarillo ponzu 

8g yellow hot pepper paste; 10g ponzu; 5g yellow capsicum; 6ml olive oil; salt to taste; lemon juice to taste 

Procedure: 

Roast the yellow capsicum, allow to cool then remove the seeds. In a food processor, mix all the ingredients apart from the olive oil until you get a paste. Slowly add the olive oil until emulsified. Season with salt and lemon. 


Al-Wadi and Al-Jabal: embracing Ramadan’s cherished traditions

Updated 06 March 2025
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Al-Wadi and Al-Jabal: embracing Ramadan’s cherished traditions

  • Villagers, with unwavering devotion, pass down their customs, fostering a strong sense of community and shared experience
  • Kitchens come alive with the aromas of local dishes — recipes passed down through generations — prepared with fresh ingredients from their own farms

RIYADH: Al-Wadi and Al-Jabal village in the Taif governorate in the western part of Saudi Arabia exemplifies the enduring power of cherished traditions during the holy month of Ramadan.

The villagers, with unwavering devotion, pass down their customs, fostering a strong sense of community and shared experience.

Throughout the holy month, the village displays a rich tapestry of noble practices, interwoven with the villagers’ daily agricultural work.

At dawn they tend to their fields, harvesting fruit and flowers, maintaining water channels for their ancient trees and livestock, and completing essential tasks such as wall construction and material transport.

Families in Al-Wadi and Al-Jabal village observe Ramadan traditions by thoroughly cleaning their homes, encouraging children to fast, and celebrating the first day with gifts.

Their kitchens come alive with the aromas of local dishes — recipes passed down through generations — prepared with fresh ingredients from their own farms.

Speaking to the Saudi Press Agency, farmer Khalaf Al-Nemri explained how fasting provides a sense of focus for daily tasks.

“My father and I continue the cultural practices passed down from our ancestors, including the tradition of sharing iftar in our rural community,” Al-Nemri said.

“Our village traditions emphasize love and unity with family and friends after Isha and Taraweeh prayers, often held in traditional Ramadan tents,” Al-Nemri added.

“These enduring bonds strengthen solidarity, family unity and neighborly ties, positively influencing children’s behavior during Ramadan.”


World Monuments Fund strengthens its presence to support heritage in Arab countries

Updated 06 March 2025
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World Monuments Fund strengthens its presence to support heritage in Arab countries

  • Organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s
  • Dr. Elie Flouty: We can now say that the WMF has an official presence in the region, which is rich in world heritage sites

RIYADH: The World Monuments Fund, which celebrates its sixth decade this year, has strengthened its official presence in Arab countries, organizing an exploratory tour in several countries including Saudi Arabia.

The organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s.

At the end of last month, WMF organized an exploratory tour in several countries, including Kuwait, Bahrain and Saudi Arabia.

The delegation, composed of 45 individuals, was led by the fund’s president and CEO, Benedicte de Montlaur, with the attendance of Shaikha Mai bint Mohammed Al-Khalifa, board member of the fund, and Dr. Elie Flouty, the fund’s representative in the Arab countries, along with other members of the organization.

This tour marked the beginning of a stronger official presence of the WMF in the Arab region, coinciding with increasing official and unofficial Arab interest in heritage issues, preservation, and integrating this into economic, tourism and social development plans. This aligns with the WMF’s 60th anniversary celebration.

Dr. Elie Flouty said: “We can now say that the WMF has an official presence in the region, which is rich in world heritage sites. We will work with all Arab governmental and non-governmental entities and international institutions to safeguard our ancient Arab heritage. WMF is currently active in 14 sites across various Arab countries and collaborates with both governments and local communities to implement these projects, providing funding and expertise.”

Among the most significant initiatives of the WMF is the World Monuments Watch, a list of endangered sites issued every two years, which includes 25 historic places.

For the 2025 list, three sites from the Arab region were included — the Jewish heritage in Debdou in Morocco, the historic urban fabric of Gaza, and the water reservoirs (majels) in the Old City of Tunis.

The delegation’s tour in the Gulf region included several stops, starting in Kuwait where it visited the Arab Fund for Economic and Social Development and Dr. Mohamed Al-Rumaihi discussed the history of Kuwait and its major economic and social milestones. The delegation visited the Soof Center for Spinning and the Grand Mosque, designed by architect Mohamed Saleh Makiya.

In Saudi Arabia, it visited the Islamic Arts Biennale in Jeddah, explored the Old City of Jeddah, and toured the home of architect Sami Angawi, which reflects the architecture of Hijaz.

They also visited Madinah and its major religious landmarks and concluded their visit to AlUla, a site rich in human heritage, natural and cultural landmarks.

In Bahrain, the delegation visited the city of Muharraq and the UNESCO World Heritage-listed Pearling Path, the Bahrain National Museum, and several houses within the Sheikh Ibrahim bin Mohammed Al-Khalifa Center for Culture and Research. They also visited Bahrain Fort and its museum, the Dilmun Burial Mounds listed on UNESCO’s World Heritage list.

WMF is the world’s leading non-governmental organization for heritage preservation. Headquartered in New York, the fund has offices in Peru, London, Paris, Spain, Portugal, India and China, with projects in 112 countries. It has worked on more than 700 heritage sites. WMF’s mission is to save the most threatened landmarks, whether from war or climate change.


Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

Updated 06 March 2025
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Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

RIYADH: Photography enthusiasts in Riyadh had the opportunity to refine their skills at an exclusive iPhone photography workshop on March 5 at Sima Creative Space.

The event, organized in celebration of Ramadan, featured renowned Kuwaiti photographer Abdullah Alshayji and acclaimed Saudi film director Ali Kalthami, offering attendees a unique learning experience.

The workshop explored the advanced features of iPhone photography, equipping participants with innovative techniques to enhance their social media content. The event fostered a dynamic and collaborative environment, bringing together creatives eager to develop their visual storytelling skills.

One of the highlights of the workshop was Kalthami’s talk on his recent experience filming an iPhone advertisement. Speaking to Arab News, he recalled his initial surprise when tasked with directing the project using an iPhone 16 Pro instead of traditional camera equipment.

Kalthami said: “When I was assigned to create the iPhone ad I asked about the camera lenses, and they told me I would be using the iPhone 16 Pro instead.”

He noted that the smartphone’s compact size helped create a more relaxed atmosphere on set, adding: “The actors acted naturally, which made the filming process enjoyable.”

Kalthami — known for his film “Mandoob” and as the co-founder of Telfaz11 — expressed enthusiasm for integrating iPhone technology into future projects, particularly those requiring a raw, immersive feel.

He said: “Using the iPhone is much more convenient than heavy camera equipment as it can be easily placed anywhere. Some projects benefit from an organic feel, which the iPhone can deliver.”

He also shared insights into the preproduction process, revealing that the ad was filmed in the desert during the golden hour to achieve a cinematic aesthetic. To maximize the capabilities of the iPhone, he incorporated professional filmmaking tools such as a large monitor and stabilizer, proving that smartphone technology can deliver high-quality results.

Alshayji led hands-on demonstrations, showcasing the iPhone camera’s features and sharing expert tips on capturing high-quality images. Using models and objects, he guided participants through techniques to elevate their photography skills, ensuring they left the workshop with practical knowledge to apply to their creative pursuits.