NEW YORK: In a recent dispatch from Moscow, BBC correspondent Steve Rosenberg noted that a new Russian law required him to refer to the invasion of Ukraine as a “special military operation.”
Then he quoted a Russian human rights lawyer who liberally used what is now a forbidden word: “war.”
The restrictions on how news organizations can report in Russia, which carry punishment of up to 15 years in prison, have impeded journalists, but not muzzled them. Many continue to report aggressively, even from outside the country, by making use of modern tools unavailable a generation ago: the Internet, encrypted communications, mobile-phone cameras in the hands of millions — and simple bravery.
“I don’t think there’s any kind of lack of information about what is happening in Russia,” said Vasily Gatov, a Boston-based Russian media researcher whose mother still lives in Moscow.
The new law, abruptly put in place March 4, placed restrictions on use of the word “war” and threatens punishment for any stories that go against the Russian government’s version of events — what it refers to as “false information.” It immediately had a chilling effect for journalists serving audiences primarily in Russia, and it also forced those reporting to the outside world to reevaluate operations.
The BBC suspended its reporting from Russia for several days, but restored it on March 8. Some news organizations have pulled journalists out of the country, others have stripped bylines from stories. Concerned about safety, several news organizations have said little or nothing publicly about how their journalists are deployed.
Reporters who displeased authorities in the old Soviet Union could be expelled from the country. But a law that says they can be put in jail for 15 years is a different risk entirely, said Ann Cooper, who was an NPR bureau chief in Moscow and former executive director of the Committee to Protect Journalists.
“The change to the criminal code, which seems designed to turn any independent reporter into a criminal purely by association, makes it impossible to continue any semblance of normal journalism inside the country,” John Micklethwait, Bloomberg editor in chief, said in telling his staff that its reporters would be pulled from Russia.
Despite the exit, Bloomberg was credited with breaking significant news by reporting March 23 that Russian climate envoy Anatoly Chubais had stepped down and left the country. The story carried no dateline or byline, except a tag noting Simon Kennedy’s “assistance.”
The sentencing of Russian dissident Alexei Navalny to a longer stint in prison on March 22 tested how journalists could operate in a stricter environment.
Even though the decision was handed down at a penal colony 70 miles from from Moscow. The New York Times and The Washington Post both did thorough stories using a variety of sources: other news agencies, Twitter and Instagram posts, video of the hearing shown on YouTube, interviews with Navalny aides.
The Times had moved its staff out of Russia for safety reasons. The Moscow bureau chief, Anton Troianovski, is reporting from Istanbul, Turkey, and other journalists are scattered throughout Europe, said Jim Yardley, the Times’s Europe editor.
“We continue to cover Russia closely — monitoring Russian television, government briefings and social media, while staying in touch with and interviewing sources, experts, and Russians who are still inside the country,” Yardley said. “We hope that we can safely return to Moscow soon, but for now, we are working hard to cover the country from the outside.”
That’s where many of the new tools for keeping journalists informed come into play; Telegram is being used frequently for encrypted conversations, said Jeff Trimble, a lecturer at Ohio State University and a former Moscow reporter for US News & World Report. Plenty of video is available, but must be checked carefully for accuracy, he said.
The Associated Press wrote a story following Navalny’s sentencing about small signs of defiance emerging in Russia. It had a New York dateline and no byline, but no shortage of detail, including police in the city of Nizhny Novgorod detaining a silent demonstrator who displayed a blank sign.
The AP has written some unbylined stories with Moscow datelines and also broken news from outside sources, including a March 30 story about US intelligence sources saying that Russian President Vladimir Putin had been misled by his military aides about the war because of their fear of delivering bad news from the battlefield.
Julie Pace, the AP’s executive editor, said it’s vital to continue to report from countries around the world where press freedoms have been curtailed. Executives at competing news organizations are now engaging with each other about safety and security issues in Russia, she said.
Without the physical presence of reporters, it’s more difficult to keep track of how the war and economic sanctions are affecting day-to-day life in Russia. That makes Rosenberg’s BBC reports stand out: he visited a grocery store to see how purchase limits are in place to prevent hoarding, and interviewed an 88-year-old woman who was selling possessions to buy food and medicine.
“It’s always important for journalists to have their feet on the ground,” Cooper said.
Television journalists are affected more severely by the response to restrictions. Live shots from Moscow’s Red Square have disappeared. The NBC “Nightly News” brief report on Navalny’s sentence came from Richard Engel in Ukraine. CBS News has run BBC reports. CNN used old-fashioned “Kremlinology” techniques of examining pictures to speculate on whether Russian defense minister Sergei Shoigu has fallen out of favor.
The BBC said it restored its reporting from Russia after considering the new law’s implications “alongside the urgent need to report from inside Russia.” However, the company’s Russian-language service is no longer reporting from inside the country.
That’s left Rosenberg to wander the streets. In one report, he interviewed a parliament member who insisted there were no political prisoners in all of Russia.
“That is precisely the picture the Kremlin paints for the Russian people, hoping that they’ll believe that there’s no repression here, no war, no problem,” Rosenberg said.
The BBC declined a request to talk about whether there’s been Russian government pushback against his work.
After the new law was announced, ABC News’ James Longman reported from Moscow about the early impact of the West’s economic sanctions and Putin’s “assault on free speech.”
“There is a creeping realization that 30 years of progress is about to end,” Longman said.
In the weeks since, there have been no reports from inside Russia by ABC News correspondents.
Journalists impeded, not muzzled, by Russian reporting rules
https://arab.news/ncgg2
Journalists impeded, not muzzled, by Russian reporting rules
- The new law, abruptly put in place March 4, placed restrictions on use of the word “war”
- Some news organizations have pulled journalists out of the country, others have stripped bylines from stories
Netflix says 50 million households worldwide tuned in for Paul-Tyson match
Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.
Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters
- ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
- Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason
DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.
What is Bluesky, the fast-growing social platform welcoming fleeing X users?
- Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online
SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.
Media group IMI and UAE Media Council sign deal to recruit and train local talent
- Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
- It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies
DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.
The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.
The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.
“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.
IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.
Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.
Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.
He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”
It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.
Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
- Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
- The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director
DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.
“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.
The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.
It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.
They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.
Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”
The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.
The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.
Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.
Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.
Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.
Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”
She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”
Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”
The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.
The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.
Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis
“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.